April 7th 1975, Witness registration for those speaking in support of HB 2460, supporters include artists, curators, and other arts associations
April 26th 1975, Joint Ways and Means Committee, record of subcommittee proceedings, signed by House and Senate
1975, Quote from Rachel Griffin, Curator at Portland Art Museum, in support of the Art in Public Places program
1977, Document explaining legislative amendments to state arts programs including the geographic expansion for Oregon’s public art program
1979, Ed Wong shown painting figure studies of Eastern Oregon State Hospital residents during a four month residency
September 23rd 1982, Document outlining the needs and goals of acquiring a collections management system, marking a pivotal moment in documenting and caring for the collection
1983, Large cement mold for Walt Gordinier designed planters at Department of Veterans Affairs headquarters in Salem
August 1983, Oregon Arts News Bulletin featuring an article on the installation of Lee Kelly’s untitled sculpture at OSU
1987, Oregon Art in Public Places newsletter, a year in review featuring Tom Morandi’s work Yankee Champion
May 27th, 1988, Letter to the Department of General Services and Capitol Planning Commission explaining changes to administrative rules and keys points for a successful project
1988, Paul Buckner and team work on fabrication of cement mortar sculpture “Promise” for Department of Corrections
October 30th 1990, Press release from National Artists Equity Association announcing that the Visual Artists Rights Bill passed in congress
1991, Karen Guzak working on Chaos to Order: A Computer Model for Southern Oregon University Computing Services building
1991, Installation of Gummyworm Garden by Howard Meehan and Kathleen Meehan at Southern Oregon University Old Mill Village
1991, Installation of Bill Will and Sandra Stone’s untitled work being installed at Oregon State Archives
1991, Chris Guzak reviews fabrication of Chaos to Order: A Computer Model for Southern Oregon University Computing Services building
1992, William Harsey Jr. fabricating his sculpture Edged Wind for Southern Oregon University Stevenson Union
2002, Close up of the cement pinecones that are a part of the OPRD: Senator Mark O. Hatfield West Trailhead project by Anne Storrs titled Oak Leaf Pavers, Pinecones, Stoneseats
2005, Concept drawings of Tecotosh by Ed Carpenter for Portland State University Engineering Building
2005, Public Art Network Year in Review Award for Ron Baron’s O’s at University of Oregon Autzen Stadium
2006, Marvin Rosenberg and Lilli Ann Rosenberg installing Butterfly World and Gates at Portland State University: Helen Gordon Child Development Center
2007, Public Art Network Year in Review Award for Ed Carpenter’s Tecotosh at Portland State University Engineering Building
2009, Bolder for Unity and Harmony split and ready for carving by Masayuki Nagase to be installed at University of Oregon HEDCO Education Building
2010, Brandon Zebold welding his sculpture Oregon National Guard Sphere for Oregon Military Department, Ontario Armory
2011, Rick Bartow rests with his wood carvings Facing The Future Eyes Wide Open for the University of Oregon Ford Alumni Center
2011, Installation of the 8ft H x 18ft W monumental painting, A Glade of Many Ages by Lucinda Parker for University of Oregon Ford Alumni Center
2011, Scale model for Ralph Helmick’s work Heart and Mind for OIT: Dow Center for Health Professionals
2011, Public Art Network Year in Review Award for Fernanda D’ Agostino, Valerie Otani, and Harry Dawson’s Intellectual Ecosystem at Portland State University Academic and Student Recreation Center
2012, Materials study for James Lavadour’s work Red River at Oregon Department of Transportation Headquarters in Salem. Lavadour’s studio can be seen in the background
2012, Public Art Network Year in Review Award for Ralph Helmick’s Heart and Mind at University of Oregon Institute of Technology Dow Center for Health Professionals
2013, Fish being fabricated by Rick Bartow and Nancy Blair for their work Heartbeat of the River at Western Oregon University Health & Wellness Center
2014, Alex Hirsch seen studying light reflections with her glass work Lighting the Way at Southern Oregon University Churchill Hall
2014, Proposal from Blade Hoke showing design that would ultimately become Feathoars for Southern Oregon University Hawk Dining
2014, Annie Han and Daniel Mihalyo collectively known as Lead Pencil Studio giving a speech at the opening of their project OSH Patient Memorial at the Oregon State Hospital, Salem
2014, Public Art Network Year in Review Award for Sean Healy and Joe Thurston’s All That is Solid Melts Into Air at University of Oregon Lillis Complex
2015, Concept drawing by Pablo Solares-Rowbury for his mural Cesar Chavez at Oregon State University Centro Cultural Cesar Chavez
2015, Public Art Network Year in Review Award for Lead Pencil Studio’s OSH Patient Memorial at Oregon State Hospital Salem Building #60
2016, Installation team hanging Jeffery Gibson’s work ALIVE! at Portland State University Vanport Building
2016, Public Art Network Year in Review Award for Catherine Widgery’s Passing Storms at Oregon State Hospital Junction city
2017, John Grade seen making a cast of a living bristlecone pine in the forest for his work Treeline at Portland State University Karl Miller Center
2018, Stone blocks placed and pinned for Adam Kuby’s work Aggregations at University of Oregon Erb Memorial Union (EMU)
2018, This is Water by Site Specific being installed at Oregon State University Hatfield Marine Science Center, Newport
2018, Lillian Pitt shown working on the fabrication of Spirit Guardians in collaboration with Juno Lachman and John Fritz for Oregon Military Department Ft Dalles Readiness Center
2018, Masayuki Nagase’s work Reflection of Stream at mid-point review of fabrication, seen with personalized tools
2021, Lee Imonen’s work 1116 pages seen in fabrication stage for University of Oregon Price Science Commons
2021, From Which All Things Start by Crystal Schenk and Shelby Davis being prepared for installation
2022, Shirod Younker (left) and Tony Johnson (right) of Wanakim Collective stand next to their carvings for the interior of Oregon State University Peavy Hall
2022, Brade Rude poses with several of his bronze sculptures part of his work A Common Bond outside of Oregon State University Magruder Hall
2022, Tapestry by Va Vang and Chu Vang being reinstalled at Oregon State University Magruder Hall after conservation
2023, Jill Anholt in concept development phase for Us: All at Oregon State University Reser Health Center
2024, Installation of The Weapon and the Tool by Gloria Udosenata at the newly renovated Oregon State University Pride
Center
2024, Big Pink and the Yellowing Sky by Michelle Muldrow at the newly renovated Oregon State University Pride Center
2024, Masayuki Nagase with the raw form stone for his work Breath at Eastern Oregon University Inlow Hall
2024, Sue Taves celebrating with her finished sculpture Interconnected being installed at North Valley Complex in Wilsonville
2024, Kana Tanaka stands in front of the fabricated fish for her sculpture Shoal of Returning Hope at Oregon Institute of Technology in Klamath Falls
2024, Crystal Schenk stands with artwork Ballads of Small Worlds created in collaboration with Shelby Davis on installation day at North Valley Complex, Wilsonville
2024, Rob Ley (center) stands with Martina Oxoby (left) and Peg Butler (right) in front of his sculpture Synapse at University of Oregon Lewis Integrated Science Building
